I’ve recently been diving deeper into the captivating realm of wine and other bottle photography, focusing particularly on showcasing the incredible work of designers at Foliolio both in Melbourne and interstate. I wanted to share a few of my recent favourites from these designers, who worked on the branding and label design. Click through to delve deeper into the designer’s portfolio and show them some well-deserved support. More of my wine and bottle photography can also be seen here. Cheers! 🥂
Earlier this year, I collaborated with AER design to create a set of hero images for Melbourne’s “Winter at Fed Square” campaign. We worked on producing 4 final artworks, that had the flexibility to fit different print formats, digital promotions, way finding, signage and an animation. I couldn’t have asked for a more iconic Melbourne location than Federation Square to have the work displayed. Special thanks to Stray Orbit for the excellent retouching work you put in to help me hit our deadline and 77 productions for the animation.
Here are a few images and final artwork from the shoot.
Since 2010, I’ve ended each year by wrapping up with some of my favourite moments through the photographs I’ve taken. It’s been a great year for pushing myself to experiment in new areas and styles of photography, both commercially and personally. I found myself heading in a few new directions with the primary focus being on creating new personal work, selling my work as prints and to continue to grow my portfolio photography business, “Foliolio”. Looking back on my photography from the year, it’s interesting to see how well these three things seemed to fit together and helped one another grow. This is my top 15 from 2015.
Although I spent much of my childhood in Japan, and still head back over to Tokyo at least once a year, I’ve never really had a chance to play tourist and actually explore some of the most beautiful and interesting places that Japan has to offer. This year I made a conscious effort to do just that and as a result, saw some incredible things. One of them being the beautiful deer of Nara.
I teamed up with One Fine Print who helped me get my personal work onto people’s walls, something I’ve been striving to do well for years. Not only did they do an exceptional job at that, they also got one of my prints on the air and into the penthouse of Shay and Dean, the winners of “The Block” a reality TV show about renovations with a strong focus on interior design and styling. If you’re in Melbourne, be sure to check them out on the walls of the Pop Up shop before it closes!
I continued to work on my playful food photography series, “Graze“. It’s an experimental food photography series in which I give myself some studio time and some “ingredients” to see what kind of playful food creations I can come up with. This was the result, I call it “Frankenfruit”.
Foliolio, my side-photography business which focusses on working with designers who want their work photographed well, quickly gained momentum and I worked with some incredibly talented designers. This was one of my favourites from a colourful shoot with Wild Hen on the design work they did for Fonda Mexican.
With the growth of Foliolio, I found the perfect studio to work out of. This small decision resulted in the ability to create some great work and I’m so glad I decided to find a dedicated space to work out of. It even has a space for my hammock, what more can I say!
In between shoots, things got pretty messy in the studio thanks to a new photo series “spill”, but now everything smells great (ie. like coffee)!
…and I continued to play with my food.
My main photo series of the year was “Handy“, which features creative people and what they do with their hands. One of my favourites was this one with Magdalena Ksiezak who makes adorable paper crafted creations.
Abandoning the seriousness of photography and with this new fascination with hands, I adopted a more playful approach, with a light-hearted spin-off series called, “Stuff you can’t do with Novelty Sized Hands“.
The series fed other ideas, which led to some experiments, including the idea to create an “ice sculpture” using the novelty sized hands as the mould.
I worked with friend and graphic artist, Spencer Harrison AKA Spenceroni on some promotional imagery for Hello Play, his exhibition at No Vacancy Gallery in Melbourne’s CBD. We created a series of playful photographs, showcasing Spencer’s work, all the while “playing” and experimenting as we did.
I was featured on the front cover of PDN Magazine’s January issue. It was an issue on innovation, featuring the work I created with Nate Bolt and the long exposure of his drone over the Californian desert.
A 7 hour drive from Melbourne, Do Lectures Australia once again took place in the beautiful Victorian high country in Glen Valley atPayne’s Hut.  It’s a land without phone reception or internet access, and a sky with seemingly more stars than negative space.  I couldn’t have been happier being back in the thick it all to photograph for another 6 days of incredible people, great conversation and a good community.
I started to get a bit more involved with Melbourne’s photography and Instagram community. I met some great folks and got to be a tourist on Phillip Island, shooting late into the night and witnessing thousands of Short-tailed Shearwaters flying overhead. I have to say, it feels like things are coming full circle and am feeling inspired by landscapes once again. I’m looking forward to where this all heads in the new year! Playful, experimental, handy landscapes for people’s walls?
And Lucky last, this ridiculous selfie I took with Phil Ferguson aka @ChiliPhilli when we did our Handy Series shoot.
Have a great holiday season everyone and all the best for 2016!!!
I’m pretty excited to announce that I’ve been working on a few new prints for One Fine Print’s latest pop-up store.  After an amazing response to it’s first pop-up on Smith Street in Fitzroy, it’s just re-opened it’s doors in Brunswick, in Melbourne’s North.  So if you’ve been wanting some large, printed photographic work of your own, come and have a look. It’s a great time to go see them big and on real walls! I’m in good company, sharing the space with Danish Furniture from Retropia, and some incredibly talented professional photographers.  I’ve got a few new prints up in there now and am finally working on some more colourful still lifes too!  I’ve included a few of my favourite prints available through the store, both physically and online below.
The store is open until the end of December @ 70 Lygon Street, Brunswick East, next to “Gelobar”. Keep an eye out for “the bananas” in the window! Hope you can check it out 🙂
After an AMAZING trip to Japan, I’m finally back in the studio, spilling stuff and cleaning up heaps. I’ve started to continue to photograph more images for my “Spill Series“. Â This one was probably one of the messiest, but delicious.
See #lobospill for more from this series on Instagram.
I’ve been focussing a lot more on shooting still-life photography recently, mostly due to the Melbourne weather being so damn unpredictable and cold, making cozy studio time much more appealing than being rained out on a location shoot. It’s set off a chain of experimental personal projects which are all currently in progress, but a few of which you can preview on my Instagram account, here.
What started out as a fun, light hearted series called “Stuff you can’t do with novelty sized hands”, ended up sparking the idea to create an “ice sculpture” using the novelty sized hands as the mould.
I didn’t let myself think through the details too much, allowing it to be more of a creative excercise. I got started on making the ice hand and figured I’d photograph it and work it all out through experimentation, when I next had a break in my schedule. So I cleared some space in the freezer and had this creepy thing in there for 2 months… (please excuse the next few terrible photos off my phone).
Over 2 days, I experimented with a few different lighting set ups and figured that lighting it from below with some gels was the best approach in capturing the translucency of ice. I used some Profoto B1 flashes which were the perfect height to place between two low tables with a plate of glass over the top.  Not to mention, completely wireless and could stand on their own. Look mom, no stands!
I rolled out some seamless backdrops and cut a hole through it to let some light through. Â I went with a darker grey, lit with blue gels.
Then came the hardest part. Actually getting the ice out of the mould without breaking it. I melted the hand to loosen it away from the glove, but carelessly broke off some fingers in an attempt to free it.  It turns out there is a fine art to evenly melting an ice hand out of a novelty sized hand.
I made two more smaller hands and patiently waited to cut them free the following day. Unfortunately, I had the same problem and ended up losing some fingers, but was successful in getting the second one out in-tact.  I pumped up the air con, mid-winter and was good to go!
