I don’t consider myself to be much of a gear head. As long as the gear I use is designed to last and does what a certain job or project needs it to do, I’m not worried. The reality is every job needs different tools, so I have a basic kit that I can rely on, and hire everything else. If I start to use that gear regularly enough, then I’ll stop hiring it and buy it. I was asked by shotkit to showcase what’s in my bag and this is what I photographed. You can see all the details on what everything is here: shotkit.com/mark-lobo
I was truly thrilled to be welcomed back to Phoot Camp 2012, a photographic retreat held in a new location every year and sponsored by the always awesome VIRB. I met some incredible new faces and was reunited with a fun group of creative photographers, all of whom I have come to call dear friends. This year, Phoot Camp was held in upstate New York at Ashokan, and was followed by an exhibition in New York City as a part of Photoville.
I started out with few very loose ideas to shoot, but I consciously decided not to solidify them until I got there. I really wanted to take on a different personal approach to finding the inspiration for my normal style of portrait work. It wasn’t until the last day of camp that I realised that I wanted to shoot a series of portraits of “In-Between” moments. Moments of distraction that get captured before, during and after the “main” photographs have been taken. I called this series “In Their Shoes” and hope to continue to work on it, in the years to come. Here are a few of my favourite shots from both the series and camp itself:
While I didn’t manage to do quite as much photo documentation as I had hoped, I was given a Lomokino camera from Lomography to play with, which I feel really captured the “Summer Camp” atmosphere pretty well. This was shot over 5 rolls of 35mm film during some pretty fun times at Phoot Camp:
And another fun video of the camp from Garrett Cornelison:
And finally, I’d like to thank the most incredible Laura and Brad, our camp councellors, who made this year’s camp such an incredible one.
Earlier in the year, I worked with the inspiring team at Spur Projects to shoot a video for their latest campaign, “Better If You’re Around“. The video takes a look at the life choices of a young man with the hope to encourage young people to take the first step in talking about depression. It was an honour to work with such a solid and motivated team, shooting over just two days in locations all over Brisbane. I’m so pleased to see that the video has making the rounds online and was even played on Channel 10 News last night. I’m humbled to have been able to be a part of it. Please take the time to watch and share this video as well as support the campaign through Pozible. For more information on taking the first steps towards starting that “tough conversation” visit: www.softenthefckup.com
Crew:
Producer – Lee Crockford
Director – Leah Sanderson
Assistant Director – Chrissie Nowland
Cinematographer – Mark Lobo
Lighting – Hamish Clift
Hair and Makeup – Gemma Elaine
Cast:
Rick Mitchell
Alex Valentine
James Gauci
Finn Foulds-Cook
Mia Carey
Music:
When Will – The Trouble with Templeton
Special Thanks – Damon Klotz, Ehon Chan, Sabrina, Angela and Michael Foulds-Cook, Melinda Carey, & the pensioners whose names we never learnt…
One of the biggest highlights of last year was no doubt the opportunity to head over to Los Angeles to meet and hang out with some inspiring, creative minds at Phootcamp. This year, I’m doing it all again in Marfa, Texas! As part of the application process, we had to shoot a self portrait (see last year’s here). The portrait was inspired by everything I learned at last year’s camp and included a few recurring themes from otherpeople’sphotos! The shirt I’m wearing is inspired by this “Nate Bolt!” shirt by Steph Goralnick. The portrait has also been featured along with the many other talented Phoot Camp attendees here on Pictory, an always beautiful and inspiring website created by Phootcamp founder, Laura Miner. I can’t wait to meet all the new faces and really dig deep into getting creative with such an awesome bunch of people!
Here’s a timelapse video of the creation of the shot! It was all shot with speedlights, for a higher sync speed and water resistance! Thanks to Elleni, Toby and Michael for all their help!
Here are a few of my shots from Phoot Camp last year:
As part of the “second degree” of the BNE project, a photographic project looking at people’s inspirations, chosen by the subjects of the photos themselves, I did a shoot for Matt Rabbidge from 9 Lives. Matt was chosen as the inspiration of Nick Crocker, one of the first portraits of the series as his inspiration for the project. Trying to capture someone you don’t really know well in a portrait can be quite a challenge, but I suppose that’s what makes the project fun to shoot. One of the inspiring stories behind Matt is the collaborative effort with his friends to get the 9 lives gallery off the ground. With this in mind, we chose the gallery as the perfect location, and invited everyone along for the shoot. We started off with a few solo portraits at the front of the gallery and set up a second camera to record a time lapse of the shoot. I later found that my favourite shot was one off of the second camera. The shot that really captured Matt was one of him sitting, looking into the main room of the gallery, as I set up for the shoot. I couldn’t have hoped to capture a better moment without even holding the camera! Check out the resulting shots from he shoot as well as the time lapse video:
For the last few weeks I’ve been working on a number of photo shoots for my ongoing photographic project entitled BNE. As part of the project I take a look at the inspiring people that surround me and tell their story through two images. I recently photographed Josh Collings, from Joshua Levi Galleries, at his new space at the Bell Brother’s building in the Fortitude Valley, Brisbane. After seeing what Josh recently did with an old antique shop, transforming it into a unique space for artists and musicians, it seemed fitting that I shoot his portrait at his new gallery whilst still under construction. The second image of the series is scheduled to be shot after his opening in a few weeks time. As part of the project, I ask each of my inspirations to select the next inspiration in the series, playing on the idea of six degrees of separation. You can read more about the project here:
